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edward.maurath
HWV27A3N20 - Arsace Recitative, "Passo di duolo in duolo"
edward.maurath
0:16 Est. Play
Time
4 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Harpsichord Treble 9 3 1 2 100%
Bass 8 4 2 2 100%
Violoncello Bass 5 0 1 2 100%
Flute Treble 7 0 0 3 75%
 
HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"
edward.maurath
5:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
Violoncello Continuo Bass 23 0 7 5 97%
Arsace 18 0 6 7 74%
Violini Treble 21 5 4 4 66%
Contrabassi Continuo Bass 19 0 4 5 63%
Contrabasso Continuo Bass 19 0 4 5 63%
Violoncelli Continuo Bass 19 0 4 5 63%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A0N17 - Dai, quando vuoi, recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
Bass 3 0 1 1 67%
Harpsichord Treble 10 3 3 2 67%
Bass 2 0 0 1 33%
Apollo 5 0 1 3 67%
Erato 4 0 0 3 67%
 
HWV63A1N4 - "From this dread scene" in g minor
edward.maurath
3:00 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
Contrabassi Continuo Bass 22 0 8 5 100%
Violoncelli Continuo Bass 22 0 8 5 100%
Violoncello Continuo Bass 22 0 8 5 100%
Alto 16 0 4 4 71%
Soprano 17 0 6 4 65%
Violini 1 Treble 22 0 7 5 53%
Violini 2 Treble 23 0 9 5 53%
 
HWV61A2N45 - Oh Sentence too severe!
edward.maurath
0:22 Est. Play
Time
6 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
NITOCRIS 6 0 3 3 83%
ORG
RH		 Treble 14 6 5 2 83%
Organ
LH		 Bass 15 8 5 2 83%
Vcl Bass 7 0 1 2 83%
Violone Bass 7 0 1 2 83%
 
"Vieni o cara" from "Rinaldo," HWV 7 (1711)
edward.maurath
5:21 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 38 7 8 100%
Bass 25 20 8 6 97%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 38 7 8 100%
Bass 25 20 8 6 97%
Violoncello Bass 25 0 8 6 97%
Argante Bass 17 0 5 10 80%
Contrabasses Bass 18 0 3 6 75%
Violoncellos Bass 17 0 3 6 74%
Violin Treble 16 3 3 7 72%
 
BWV 245 N 14 - Chorale: Petrus, der nicht denkt zurück
edward.maurath
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 29 5 4 100%
Bass 15 0 4 3 100%
Alti 10 0 2 3 100%
Bassi Bass 13 0 3 3 100%
Bassono Grosso Continuo Bass 15 0 4 3 100%
Bassoon Continuo Bass 15 0 4 3 100%
Contrabassi Continuo Bass 15 0 4 3 100%
Flauto Traverso Treble 8 0 1 5 100%
Oboe 1 Treble 8 0 1 5 100%
Oboe 2 Treble 10 0 2 3 100%
Organo Continuo Treble 10 6 2 3 100%
Soprani 8 0 1 5 100%
Tenori Treble 13 0 4 4 100%
Viola 14 0 4 4 100%
Violin 1 Treble 8 0 1 5 100%
Violin 2 Treble 10 0 2 3 100%
Violoncelli Continuo Bass 15 0 4 3 100%
 
HWV56N29 - Thy rebuke hath broken His heart
edward.maurath
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 16 0 6 5 100%
Viola 10 0 3 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 16 0 6 5 100%
Viola 10 0 3 3 100%
Violoncello Bass 13 0 6 3 100%
Violone Bass 13 0 6 3 100%
Vln
I		 Treble 11 0 5 5 100%
Vln
II		 Treble 11 0 4 5 100%
Cembalo Treble 19 6 8 7 85%
Bass 22 1 9 4 94%
 
K 492: Number 24, "Il caproro e la caprella,"
edward.maurath
3:13 Est. Play
Time
80 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 27 3 7 8 100%
Violins
2		 Treble 24 4 7 8 100%
Violas 17 0 3 9 99%
Celli Bass 19 0 6 5 98%
Contrabasses Bass 16 0 4 4 90%
Marcellina 14 0 3 11 79%
Harpsichord Treble 11 9 0 4 28%
Bass 13 7 1 4 29%
 
HWV56N34 - Unto which of the angles said he at any time
edward.maurath
0:16 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 8 4 2 2 100%
Bass 7 4 2 1 100%
Cello Bass 4 0 1 1 100%
Contrabass Bass 4 0 1 1 100%
Tenor 8 0 3 4 100%
 
HWV17a2n12y1724 - Cornelia, "Cessa omai di sospirare!" in F Major
edward.maurath
4:44 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 4 5 7 78%
Bass 23 12 6 6 99%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 4 5 7 78%
Bass 23 12 6 6 99%
Harpsichord Treble 17 4 5 7 65%
Bass 23 11 6 6 99%
Continuo Bass 21 0 5 7 99%
Vln
1		 Treble 16 0 4 7 79%
Vln
2		 Treble 17 0 5 7 79%
Celli Bass 19 0 3 6 62%
Contrabasses Bass 22 0 3 6 62%
Cornelia 12 0 3 7 62%
Flute Treble 13 0 4 7 59%
Violas 16 0 4 7 56%
 
"Alma del gran Pompeo" from HWV 17, "Giulio Cesare," (1724)
edward.maurath
2:20 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Harpsichord Treble 17 4 6 4 100%
Bass 20 4 6 4 100%
Celli Bass 16 0 5 4 100%
Continuo Bass 16 0 5 4 100%
Contrabasses Bass 15 0 5 4 100%
Violas 14 0 5 4 100%
Vln
1		 Treble 14 0 5 6 100%
Vln
2		 Treble 14 0 4 6 100%
Cesare 15 0 6 4 83%
 
Cesare, "Non e si vago e bello" from HWV 17, (1724)
edward.maurath
4:10 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 8 6 4 100%
Bass 21 16 6 4 100%
Harpsichord Treble 20 8 6 4 100%
Bass 22 17 6 4 100%
Celli Bass 21 0 5 4 100%
Continuo Bass 21 0 5 5 100%
Kontrebaß Bass 21 0 5 4 100%
Violini Treble 14 4 1 5 90%
Cesare 14 0 3 5 79%
Violas 11 0 0 4 16%
 
HWV56N42 - He that dwelleth in heaven shall laugh
edward.maurath
0:18 Est. Play
Time
5 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 11 6 3 3 100%
Bass 7 5 0 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Treble 11 6 3 3 100%
Bass 7 5 0 3 100%
Cello Bass 6 0 0 3 100%
Contrabass Bass 6 0 0 3 100%
Tenor 8 0 1 3 80%
 
Chorus, "Viva il nostro Alcide" from "Giulio Cesare" HWV 17 (1724)
edward.maurath
2:17 Est. Play
Time
64 Measures
1,288Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Continuo Treble 15 3 1 3 100%
Bass 15 5 1 3 100%
Bassoon (Violas) 12 0 1 5 100%
Bassoon Continuo Bass 15 0 1 2 100%
Contrabasses Continuo Bass 15 0 1 2 100%
Oboe 1 Treble 15 7 3 6 100%
Oboe 2 Treble 15 0 3 5 100%
Violas 12 0 1 5 100%
Violins 1 Treble 15 7 3 6 100%
Violins 2 Treble 15 0 3 5 100%
Violoncellos Continuo Bass 15 0 1 2 100%
Horn A Treble 9 18 0 5 69%
Horn D Treble 9 18 2 5 69%
Basses Bass 12 1 1 4 41%
CONTRALTOS 11 0 2 3 41%
Sopranos 9 2 2 6 41%
Tenors 9 5 1 3 41%